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The TV Scene: "Narcotics for 'them"
We realize here, that we are watching a film, being watched on TV another
film within a film. The first thing we hear is "I've given him
a very strong narcotic, he will be out soon".
Pretty self explanatory, television = bad. There are various
film, TV, news, and ad clips to reinforce the idea of a mind-numbing,
passive, and even evil box which the television represents. Have
you noticed the 666 on the Ford ad? That wasn't a coincidence.
A little side note: interesting how Ronald Reagan is included
in the clips.
The channels are clicked through one by one, till we get to Micky in the desert
scene.
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Desert Scene: "Grasping at Straws"
This scene is such a mystery. I suspect it has some personal
significance to Micky Dolenz, especially if it's his dream
to begin with. Perhaps if I were a Monkees fan back in the
sixties it would be more obvious. But lets give it a shot anyway.
The only thing that is clear here is that Micky is drowning
in water while he dreams he is dying of thirst in the desert
that much is certain. The coke machine (representing corporate
America, commercialism, Hollywood, and an American icon) isn't
giving him what he wants a coke. Just like Hollywood isn't
giving him what he wants. He gets angry at the coke machine
for deceiving him. Eventually, he gives up he says, "he
cant". He can't what?
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He can't fight the coke machine, the system,
Hollywood. A voice says "pathetic". The voice in his
head is his own voice his conscience. He calls himself "pathetic" because
he is being weak, or has been weak; and now he feels guilt for
not fighting Hollywood. He fights with his own conscience by
telling the voice to "shut up". When the voice goes
away, he becomes deaf. Then a second voice says twice "Quiet,
isn't it George Michael Dolenz." This is what makes me think
it is something personal. Maybe something to do with his name.
Why does he hear the voice say his full name twice, while he
is deaf? His conscience has left him because he was weak the
second voice rubs in the guilt. Where is all this guilt coming
from? What did he do, or not do?
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Next, a man on horseback rides up to him and says "Pssst" something
you say to someone when you want to get their attention. Then
an Italian tank enters the scene. An Italian man emerges from
the
tank and asks Micky if he is American. Micky says yes, and the
man surrenders to him. I could never understand why they had
to be Italian. I always thought it would be funnier if they were
French
an old joke, because the French aren't known for their battle
skills, they would surrender without a second thought. Then I
discovered
that Micky is half Italian, so French wouldn't make any sense,
and that's why it must be something personal. But if you read
the articles and promotions from the sixties for the TV show,
Micky
usually claims to be American Indian, not Italian.
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Is that it? Did corporate Hollywood downplay
his Italian roots to make him look more American less ethnic?
I've also read that they changed Peter's age to make Mike look
like the eldest of the four. Why would they go to so much trouble
for such small details did it really make that much difference
in their image? If this is true, then the scene suggests that
Micky is sorry he let that deception happen, and he reclaims
his Italian roots by blowing up the coke machine (corporate Hollywood)
with the Italian tank. Now that he has righted the wrong, his
guilt is relieved, and he smiles with satisfaction though he
still doesn't get his coke. His smiling face fades into the next
scene, where that smile takes on a different meaning.
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The Harem Scene:
This is another pretty obvious scene, and was discussed in
part I, but here are a few more details. Sex, drugs, and
rock & roll, set to "Can You Dig It?" These
must have been the benefits they reaped just for being the
Monkees. At least part of the time their lives must have
seemed like living in a harem. Side note: Micky gets hit
in the face with one of the girl's veils.
This scene ends with Micky's hand holding the pipe, fading
into the next scene with Terry Garr's bleeding finger at
Micky's mouth.
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The Western Scene: "More
Straw Grasping"
How convenient that this scene is placed so closely to the desert scene; since
I believe it is closely related. The only thing that separates them is the
harem scene, which begins and ends with Micky. Here he declares he "doesn't
want to do this anymore" because it's all fake; nothing is real. Is
this scene as straight forward as that, or is there something more here?
Micky doesn't see any need to help Miss Garr because she's just acting it
isn't real. Yet he leaves her to go over and help Mike with the fake arrows.
Why? "Quicksuck on it, before the venom reaches my heart." She
says to Micky, referring to her finger. Mike responds "What Heart?" Mike
and Terry try to get through the scene even though Micky is being uncooperative.
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Meanwhile, there are savage Indians all around
trying to kill them, which they pretty much ignore. Micky seems
to accept Mike as more "real" than Terry, even though
he has fake arrows sticking in him. Is it because he knows
Mike and trusts him more? Terry is an outsider here and less
trustworthy;
since she is an actress hired by the enemy, that's why she
has no heart. Where as Mike is in the same boat as Micky. Furthermore,
if Micky sucks the blood of the enemy then he becomes one of
them he looks like he may be tempted, but decides otherwise.
Micky is constantly being pulled in opposite directions throughout
the film.
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He always has a decision to make: should he go along with
the machine, or should he stick by his friends, and personal
morals?
The scene is also somewhat of a satire of a "western
film genre", but it really isn't much of a satire; and because
of its placement near the desert scene, I think it may be a continuation
of that theme. Why else would they choose Indians to be fake?
Coincidence? If so, then someone else should have done this scene
other than Micky. He certainly had enough scenes to do, why put
him in this one too? That's why I think there is something more
than just the obvious going on. |
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There is another ethnic group here; which just
happens to be related to Micky like the Italians in the desert
scene. Only here they are fighting, not surrendering. The
general theme is that everything is fake. So it suggests that
Micky's Indian roots are either faked or maybe exaggerated. It's
pretty hard to believe that they changed such details to project
a certain image. If all this is true, then it's no
wonder that these guys were so pissed off that's an outrage!
It's one
thing
to pretend you're
playing instruments as a television band, but quite another if
you're asked to change your "real" personal identity
for the sake of marketing a TV show! That certainly blurs the
line between fantasy and reality which just happens to be the
main theme of the entire film. |
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Micky storms off the set through the backdrop and onto the stage
lot, followed by a confused Mike. They walk to find Davy, who
is faking the violin on an old fashioned street scene, and
take him along with them to the next scene; where they have
their first encounter with Lord High n' Low, who talks about
making millions through products. The boys walk away from him
through the lot to the next scene, where everyone is given
an elaborate warning that "they're" coming. |
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| The Café Scene:
Once they arrive at the café, the place clears out fast because they "don't
want to be around these stinking kids". The crowd here is older, or hipper
not like the audience in the concert scene, so their reaction is very different.
They represent the "establishment", the critics, and in general,
everyone else who didn't like the Monkees. The waitress is very hostile toward
them, telling Davy to "order some talent". But the scene is a bit
more straight forward than the previous scenes. Peter is sitting with a melting
ice cream cone that he cant bring himself to throw away because of the starving
people in china we've all heard that one before. |
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The other three order nonsense food that they would never
eat like typical, wasteful Americans. Only Peter cares about
the starving Chinese, but it's such a silly saying meant to make
children eat all their veggies. So, it represents a kind of futility
at the very mention of the starving Chinese or something similarly
futile. To look at this in any real political context though,
makes it seem too pretentious because after all we're talking
about the Monkees here; and the political realm is a place where
these guys have no business being, especially since they all
managed to stay out of the war. Which brings me to...
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The Boxing Scene:
Much of this scene is discussed in Part I, now here are the details.
The obvious point to this scene is that petite Davy is trying
to be a boxing champ. Unfortunately for him he's only taking
punches to his face. This is nothing more than irony. The mystery
to this scene is: what is the significance of everyone being
the "dummy"? Davy is getting his million-dollar face
badly damaged, but refuses to stay down. Micky keeps telling
him to stay down and Mike says, "he'd better, the money
says so" no mystery there. Then, a very studious looking
Micky, (wearing glasses), calls Davy a dummy because he won't
stay down; and a very scary Mike yells at Micky that he is
the dummy. Micky gets very upset at this and insists he's not
the dummy Davy is.
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Micky then knocks everyone out with one punch each, and Peter
appears in a cloud of mist. He tells Micky that he isn't the
dummy because Peter
is he's always the dummy.What in the world is that all about?!
Everyone becomes the dummy except Mike; apparently no one thinks
Mike is stupid. But Micky thinks Davy is, and Mike thinks Micky
is, and everyone thinks Peter is though Micky thinks of himself
as being quite smart, that's why he's wearing those glasses.
I think the glasses are the clue here. Why else would they
be so prominent? He even takes them off briefly and puts them
back
on. Peter doesn't seem to really be with them at all. He is
somewhere else, probably in Micky's imagination. If Mike really
thinks
that Micky isn't very bright, and Micky is upset by that, then
he imagines Peter telling him he isn't the dummy, because Peter
is (at least on TV) and that makes him feel better. |
If this is Micky's dream, then Micky may think Davy is a dummy
because Davy doesn't question Hollywood. Davy does what he is told.
This is what he tells Annette, and the reason he has to fight.
Mike may have never told Micky what he thinks of him, but this
could be Micky's perception of what Mike thinks of him; which could
be why Mike scares him in the first place. If Micky fancies himself
some kind of intellectual, but Mike doesn't agree, then that would
be quite upsetting to Micky. But why is this happening in Davy's
scene? Is it simply a segue into Peter's scene, or is it because
this is Micky's dream, or both?
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End Part III
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